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We’re dedicating this months “Just Passing Thru” to Steve Tannen, an artist who’s passing thru indefinitely!

Steve, tell us a little bit about you, the artist?

I’m an indie songwriter. Sometimes I feel like Male Songwriter #8,431, you know? I’ve written songs since I can remember, it’s an obsessive-compulsive thing, I sort of do it all the time. I started going to open mics and playing in dive bars in NYC around 1997 and began performing with a band starting around 1999. I came out with my first CD in 2000, but I didn’t really make a living as a performer or recording artist until 2002. I’m still completely independent, and now I tour about 100 nights a year.

I noticed, surfing around the web, that you’re in 3 different projects? Tell us a little bit about each one.

At the forefront right now is the Weepies – it’s a joint project with songwriter Deb Talan. It’s actually fun and it seems sustainable. We released our debut CD last Christmas, and spent most of 2004 touring behind it. Deb and I work well together, the response was amazing in terms of audience support, so we’re going to follow up on that this year. The second project is the Tannen Brothers, with my brother Greg Tannen; I’ve been doing the Weepies thing while Greg has his own band back in NYC and has been busy with that, so the Tannen Brother band sort of defaulted onto the back burner last year. Over the next while we’d love to finally release a CD, which we’ve started a couple of times. The third project is the "solo" stuff -- where I’m the main writer, arranger and producer. I released a CD called "Stopped at a Green Light" in late 2003, but the whole Weepies thing happened about five minutes after I released the solo CD, and so it got sidelined too. There’s more to come on all those fronts, I hope.

You have a residency coming up at Room 5; tell us a little about that, and who are some of the artists that are playing on your nights?

I’m psyched -- Room 5 is a laid back listening room over a swanky restaurant on La Brea called Amalfi. The Weepies are playing there every Tuesday night at 9 in January, with guests on at 8 and 10. It’s $5 for the whole night, definitely worth checking out! A songwriter named Jay Nash books Room 5, and he was kind enough to set it up. There’s definitely a scene revolving around Room 5 – Jay, Adrienne, Garrison Starr, Janet Robin, all seem to be prime movers in that scene, but there are lots of folks in and out, and you can tell something’s happening. A songwriter I met in NYC, Don Everett Pearce, is playing on Tuesday the 11th, in the slot before us, and the next week, the 18th, Carlos Olmeda is playing right after us. I covered one of Don’s tunes on my first CD, he’s a great writer; and Carlos has an excellent latin-folk style -- I met Carlos a couple of years ago when he was partnered up with Jason Mraz in San Diego.

For the first time listener, what are some of your own favorite tunes that you would direct someone towards?

This is a weird area – I have trouble listening to my own stuff. Um, "San Francisco" is the most popular track, so that’s probably a good starter. The Weepies tracks that have been most popular are "Keep It There" and "Somebody Loved." -- they’re easy to listen to, and Deb’s voice is really amazing. Another co-write with Deb Talan is "Rocks and Water" – I like the version from Deb Talan’s 2003 CD "A Bird Flies Out." I guess I still think "Just a Little" and "Sing Me to Sleep" are pretty good songs. (You can listen to samples online of all this stuff at www.stevetannen.com, or on any site like Itunes, Rhapsody etc.)

Do you have any favorite local LA artists?

You’re making me look bad – I know almost nobody here! A lot of the people I’ve run into are from back east – Michelle Lewis, Kyler, Adrienne, they’re all east coast refugees. Please, email me and tell me who to check out! The only guy I know about is Colin Hay, (from Men At Work) -- and I think he’s from Australia. Colin, if you’re reading this, I’m a big fan and I would like to open for you.

What motivated your re-location to Los Angeles?

I wasn’t tied down to a job anymore, so I was literally looking at maps looking for someplace to try. Growing up I lived in a bunch of places – Colorado, Northern California, Florida, Australia, Canada, New York. After NYC I lived for a year in western mass where the temperature didn’t go over negative 10 for weeks straight. Our average temperature for February was colder than cold-weather station in Barrow, Alaska. It just made me not want to go outside for months at a time. When summer came and it was 98 with 100% humidity, that was it. I also have some family here in LA, so that pushed it over the top.

You’re in the process of recording a record; tell us a little about the new record.

I’m recording again with my partner Deb Talan – we met on the road in 2001, and recorded 3 CDs together in 2003. Between us, we have about 30 new tunes going into this next project. We have until March to finish recording, when we’ll go to SXSW, before touring through May. We’re recording at a home pro-tools studio, and outsourcing drums. The idea is to just keep writing and recording relatively quickly, every day, and not worry things to death. We’ll see where we are mid-March! The first release will probably be another "Weepies" CD, and hopefully we’ll have enough to also release a couple of solo CDs after that.

When it comes to the music scene, what are some of the biggest differences between Los Angeles and New York?

In LA I can *feel* the industry presence. This is an outsider’s first impression – it seems like the whole town revolves around media – tv, film, etc, this is where it happens, and you can taste it everywhere. In New York the "industry" seemed more diluted, and I felt sort of more camouflaged. I’ll let you know how that affects the writing and producing, as I’m sure it has to. I’m sure the car culture affects the music too, and probably the clubs – I know that I personally haven’t been out to see too many acts, often because of all the driving involved.

Who are some of your influences, the artists that you hear in your own music and writing?

Well, I don’t know that I hear them in my writing (I wish), but my favorite writers are Paul Simon, Bob Dylan, Bruce Springsteen (hey, isn’t he in LA? Bruce, I’d love to open for you too!), Joni Mitchell (isn’t she in LA too?? Oh man, we should all get together), Sting, Rickie Lee Jones, Lennon&McCartney, Mark Knopfler and Cole Porter. There are a hundred other exceptional writers I love too. I’m a fool for songwriters. On days I feel I’m not writing well, I’ll often just take one of their songs apart like a radio.

What kinds of things are coming up for you this year now that you’ve relocated?

I’m finally waking up to this whole movie soundtrack/TV music thing. The NFL used a song of mine for the 49ers game over the holidays, and I loved it. I know I’m supposed to feel like TV and film is an unartistic use of deep-felt music, but somehow I don’t feel that way. It seems kind of cool. I’d love to do more of it, and we’re writing a couple of songs on spec for some upcoming movies.

Article by: TLAMS
Submitted: Jan, 2005
Photos: Artist's Website
Artist Website: www.stevetannen.com
Email: info@thelamusicscene.com

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